Month: October 2024

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e-instruments SLOWER

Press Release

Hamburg, GERMANY, September 2024.

e-instrumentsannouncethe release of SLOWER, an innovative instrument library for NI Kontakt Player that offers music producers and composers a unique sonic experience brimming with new sounds and analogue textures. SLOWER captures high-end sample content recorded on four distinct tape machines, each played back at half speed resulting in all sounds being one octave lower to create rich and evocative tones.

SLOWER: A New Dimension in Analogue Sound

Designed for those seeking emotional, analogue-inspired textures, SLOWER delves into the world of half-speed tape to deliver an extraordinary range of sounds. The library features an eclectic mix of keys, guitars, strings, woodwinds, brass, and rarities such as the dulcimer and harmonium. These sounds are transformed by the half-speed tape process, resulting in everything being one octave lower to produce deep, warm, and nostalgically rich tones, available across four distinct types of tape machines: Studio, Portable, Cassette, and Dictaphone.

SLOWER – Key Features

  • Analogue Authenticity: Experience genuine, pitched-down tape sounds that bring rich, organic layers to your music.
  • Four Tape Machines: Explore a variety of tones with Studer, Uher, Tascam, and Sony tape machines, each offering distinctive audio qualities.
  • Diverse Instruments: Access 65 sound sources, including keys, synths, guitars, strings, woodwinds, brass, and rare instruments, all recorded on four tape machines.
  • Preset Library: 230 presets from top sound designers, offering a wide range of sounds to inspire creativity.
  • 27 Effects: Unlock extensive sound processing with curated delays, distortions, reverbs, and filters, all customisable in a five-slot FX chain.
  • Modulation Matrix: Dive deep into sound design with assignable LFOs, modulation envelopes, a step modulator, aftertouch, and more.
  • Macro Controls: Transform sounds in real-time with three single-slider macros, enabling dynamic and expressive performances.
  • Additional Tape FX: Add extra wobble, noise, and flutter to enhance the tape characteristics as needed.
  • Reverse Samples: Create ethereal, slow-attack sounds with the reverse parameter.
  • NKS and Kontakt Compatibility: Compatible with Native Instruments Kontakt 7.10.2 or the free Kontakt player, with full NKS integration.

The Art of Half-Speed Tape 

Half-speed tape recording transforms familiar sounds into something entirely new and captivating. By slowing down analogue tape playback, SLOWER introduces a wealth of texture that digital methods simply cannot replicate. The natural wobble, flutter, and noise inherent to tape add depth and warmth, enhancing acoustic timbres and bringing out lower frequencies to create thick, mellow sounds. This technique imbues music with a unique emotional quality, adding a magical, nostalgic layer to any composition.

Exploring The Tape Machines 

SLOWER’s sounds are captured using four distinct tape machines, each imparting its own sonic character:

  • Studio: The Studer A812 and Revox PR99 open reel-to-reel machines offer warmth and fidelity, ideal for polished, high-end sounds.
  • Portable: The Uher 4400 Report IC and Monitor models deliver a compact, yet richly detailed tonal palette.
  • Cassette: The Tascam Portastudio 424 mk III embodies the unmistakable warmth and grit of cassette tape.
  • Dictaphone: The Sony M650v microcassette provides a raw, lo-fi texture, perfect for adding a nostalgic crunch.

Each machine brings its own flavour to the table, allowing users to explore and experiment with a wide range of sonic possibilities, from the refined to the lo-fi.


A Rich Collection Of Instruments And Sounds

SLOWER boasts 65 different sound sources, each recorded on four separate tape machines, as well as an extensive selection of synthesised sounds. This library transforms classic instruments – including grand and upright pianos, electric and acoustic guitars, and orchestral strings – into a broad spectrum of textures. Additionally, recordings from renowned synthesiser models provide evolving pads and intricate textures, making SLOWER a versatile tool for any genre, from Hip-Hop to Ambient and Electronica.

Advanced Sound Design Capabilities 

SLOWER is equipped with a powerful sound design engine, featuring 27 built-in effects, envelopes, LFOs, step modulator, aftertouch, and more. Users can customise a five-slot FX chain, utilising delay, distortion, reverb, filters, and other effects curated by sound designers to complement the library’s content. Reverse samples enable the creation of ethereal sounds with a slow attack, while separate controls for noise and wobble enhance the tape’s inherent imperfections. Most parameters can be modulated, offering extensive sound processing possibilities that range from subtle enhancements to dramatic transformations.


Preset Library 

SLOWER comes with 230 presets crafted by top sound designers, providing instant inspiration and a solid foundation for any project. Whether users are seeking warm, moody pianos, unique string textures, or deep wind instruments, the diverse range of presets ensures that there is always a sound to fit the creative vision.

Price & Availability

Intro Price: €99 / $99 (Ends 10th October 2024)
Regular Price: €149 / $149 Product Page: https://e-instruments.com/instruments/tape/slower/ 
Official Promo Video: https://youtu.be/hYgaOZTkUHQ
Walkthrough Video: https://youtu.be/tHR0xWgefoA  

NKS and Kontakt Compatibility:
Compatible with Native Instruments Kontakt 7.10.2 or the free Kontakt player, and fully integrated with Native Instruments NKS.

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Sonuscore’s Chroma – Upright Piano

Software Review

A TRULY SPECIAL PIANO

Once in a while you find this very special instrument. It might even be so special that you wonder why no one told you about it before. 

Chroma Upright Piano is just such an instrument.

Chroma – Upright Piano stands out a little bit extra, not just because it has such a rich history, or because it has been magnificently restored, but more for its unique character and the emotions it can convey.

It all started in a small studio where Sonuscore’s team was going to sample a grand piano. Be that as it may, someone happened to see another and much less conspicuous piano – a regular so-called “upright”, or Joanna as they used to say. When you played a few notes on this piano, you discovered that it sounded absolutely magnificent – although perhaps a little out of tune. However, it was convincing enough to decide to give it a major facelift in the form of a thorough restoration and tuning. This piano just had to be sampled and shared with the world.

Würzburger Pianohaus

The piano came from a small manufacturer, Wilhelm Diemer, who had a workshop in Würzburg, Germany. Diemer pianos were known for their brilliant quality and distinctive sound. This particular copy was approx: 100 years old and after the careful restoration it turned out to have all the acoustic properties that had been hoped for, and now it is available in sampled form as Chroma – Upright Piano.

In fact, Jonas Hausotter, one of the engineers behind the sampling of Chroma, found out that the studio that originally housed Chroma – Upright was going to close, and so he was given the opportunity to purchase the old treasure. The piano is now with Hausotter in Mainz.

The recording

Recording an upright piano may sound straightforward, but truly capturing its acoustic soul requires a sensitive approach. Jonas reveals the diverse array of microphones used to ensure every nuance could be preserved:

“We used a whole set of different microphones – many more than on a grand piano. In front of the piano we had two Coles 4038s really close to the strings and another ribbon mic in the middle to fill out the stereo image. Above, we placed a pair of Neumann km140 at a distance, somewhere between 0.5 and 1 meter from the piano, and a pair of Schoeps mk5 even higher to capture the whole instrument.

Below we had a pair of Gefell m930s under the keyboard and a pair of Sennheiser mkh8020s behind the piano. And let’s not forget the RUMBLE position – a single LOM Audio Geophone attached to the metal chassis, providing a unique depth of sound.”

This detailed microphone placement allows the Chroma – Upright Piano to offer a rich, multidimensional soundstage. Whether you want the intimate closeness of the ‘Front’ position or the wider perspective from ‘Above’, each microphone captures a different aspect of this piano’s character.

The articulations: The source of creative expression

What really sets Chroma – Upright Piano apart from other piano libraries is the Chroma method: the articulations. They didn’t just record the standard tones; they pushed the boundaries and included both felt, muted, plucked, flageolet and string articulations. Each one offers a unique texture and emotional depth, which can provide a large palette to paint your musical stories.

“The felt sounds really good! We also recorded muted notes because we loved them so much on the grand piano we sampled earlier. Picked notes – probably my least favorite because it was killing my fingers – and flageolets, which sound really cool with their harmonic content. And this time we used a real violin bow instead of an E-bow,” explains Jonas.

In NI’s Kontakt, these articulations can be mixed and played in parallel, allowing you to explore a wide range of emotions and textures, from the soft, intimate whisper of felt notes to the incredibly beautiful overtones of flageolets and literally everything in between. It’s a playground for creativity, offering you the tools to create deeply expressive and unique compositions.

Round Robins bring your music to life

Round Robins are an often overlooked feature, but they play a critical role in bringing a sampled instrument to life. Chroma – Upright Piano has eight different Round Robins that alternate, and they also sampled 27 touch layers for the standard and felt articulations, even more than they did for Croma – Grand Piano. This makes every note you play feel organic and dynamic, capturing the subtle nuances that make real pianos so captivating.

“It makes the instrument more alive because you capture so many small nuances with the small differences in touch,” notes Jonas. This attention to detail means Chroma – Upright Piano responds to your touch just like a physical piano, adding depth and realism to your playing.

Is Chroma – Upright Piano a better piano then?

Yes, it is in any case very different with its whole set-up; sampled with lots of different microphones, its many different articulations – and the possibility to mix these, 91 different factory settings (preset) and 27 different touch levels for a very nuanced and dynamic sound.

And yes, I probably also think it sounds better than most upright pianos I’ve listened to. There is a warmth in the sound that you rarely find in the sampled world. And the feeling when playing the Chroma – Upright Piano is also very special. You get extremely close to the feeling you can experience when you play a really good physical piano.

Chroma – Upright Piano is a very useful piano for both quiet piano ballads in the singer/songwriting tradition, for composing film scores, for traditional pop music and everything in between.

It’s also an excellent complement to Sonuscore’s Chroma – Grand Piano, if, against all odds, you think a grand piano takes up a bit too much space in the mix – we’re of course also talking about the sampled version.

In addition to the possibility of mixing different articulations, you also have the possibility to vary the amount of mechanical sound that normally occurs when pedaling and hammering on keys.

Conclusion

With Chroma – Upright Piano, Sonuscore presents a very useful and good-sounding alternative to all sampled full-size grand pianos that can be encountered in the music world. It has a warm, soft and full character and lots of different articulations that you can control in real time with modulation wheels, or other control devices via NKS. I was especially fond of the felt-muffled articulation and the flageolet variant, but also the plucked articulation felt both exciting and useful at the same time.

Chroma – Upright Piano has been sampled with no less than 27 different pitch levels and this naturally contributes to the truly realistic feeling you get when playing the piano. This one comes highly recommended!

System requirements

• Works with the free version of KONTAKT PLAYER

• KONTAKT Version 7.10.4 or later

• macOS 10.15 or later

• Windows 10 or later

• 8GB RAM (more recommended)

• At least 17 GB of free hard disk space. SSD is recommended

• Some of the presets for CHROMA – UPRIGHT PIANO need a powerful CPU to run smoothly; an Intel i7 processor or better is recommended.

Facts

Sampled upright piano

INFO & DEVELOPMENT Sonuscore, www.sonuscore.co,

PRICE Chroma Upright: 149 euros; crossgrade from Chroma Grand Piano to Chroma Upright: 99 Euro; Chroma Upright + Chroma Grand Bundle: 239 Euros

PLUS 

  • Sounds absolutely beautiful
  • NKS compatible
  • Works with the free Kontakt Player version
  • 27 velocity layers
  • About 90 different presets
  • You can mix different articulations
  • Four different microphone positions

MINUS

  • Why hasn’t anyone told me about Chroma – Upright Piano before?

Links

INFO https://www.sonuscore.com/shop/chroma-upright-piano/

Here you can listen to some of the presets that Chroma – Upright Piano offers:

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Cherry Audio Unveils Atomika Synthesizer

PRESS RELEASE

Cherry Audio, a leading innovator in music software development, is excited to announce the release of Atomika. This highly anticipated virtual instrument pays tribute to the legendary Polivoks synthesizer, manufactured in the former Soviet Union from 1982 to 1990. Cherry Audio’s Atomika faithfully recreates the unique character of the Polivoks while adding new filter options, full polyphony, an arpeggiator, integrated studio-quality effects, and more.

Designed in collaboration with award-winning DSP developer Mark Barton — who recently made waves in producer Anthony Marinelli’s “Why Modern Digital Synthesis Is More Analog Than Analog” YouTube video — Atomika is a faithful emulation of the original duophonic analog synthesizer. The synthesizer retains the iconic Polivoks filter and adds new controls and expanded filter modes, including highpass, notch, and peak responses. This updated version is provisioned with state-of-the-art software features tailored to meet the needs of modern music production.

Atomika elevates its capabilities with enhanced polyphony, expanding from duophonic to a robust 16-voice polyphony. It adds unison oscillator stacking, an expanded LFO with more waveforms, and comprehensive performance controls, including velocity, tracking, aftertouch, and pitch and mod wheel response. These enhancements ensure that Atomika not only captures the essence of the original but also provides modern conveniences and an intuitive user interface.

Another standout feature is Atomika’s second panel, which includes a versatile arpeggiator and four studio-quality effects — Phasor, Flange/Chorus, Echo, and Reverb — with a dedicated effects LFO for expanded parameter modulation. The stunning 3D user interface is immersive and customizable, with the options to display panel labels in the original classic text and a “hide keyboard” feature to maximize workspace.

Atomika provides users with a wide range of sonic options with over 350 carefully designed presets by Cherry Audio’s team of experienced sound designers. Its extensive MIDI mapping capabilities ensure smooth integration into any studio setup, offering a versatile and expressive synth plugin for all music producers.

With its blend of rare, classic character and cutting-edge innovation, Atomika promises to inspire creativity and elevate music production with new sounds that go far beyond the original hardware. It offers an unparalleled experience for synthesizer enthusiasts who have long wanted to try the original hardware. Priced at only $49, Atomika is the ideal choice for music producers looking to incorporate the sounds of one of the world’s rarest synthesizers into their projects.

Even more extraordinary sounds are available directly from Cherry Audio with the Chain Reactions for Atomika Preset Pack ($9.99, sold separately), featuring 100 more presets by talented sound designer James Dyson that explore Atomika’s atmospheric side through arpeggios, effects, modulation, and aftertouch.

Cherry Audio’s Atomika synthesizer is available for macOS (10.13 and above) and Windows (7 or above) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive instructional video, system requirements, and an extensive collection of awe-inspiring sound demos.