Category: Från Gunnar E:s Blogg

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Cherry Audio Unleashes P-10 Synthesizer, Based on a Timeless Classic

Press Release

Cherry Audio has released P-10, a virtual synthesizer plugin based on one of the most desirable flagship analog polysynths ever created. Released by SCI in 1980, the original instrument was essentially two of the revolutionary P5 programmable synths in one behemoth dual-manual case, plus a “poly sequencer” built into the bottom-manual end cheek. It could be configured to play as two independent five-voice synths, a single ten-voice synth, dual-patch layered, or alternating between layers with each keystroke. Cherry Audio’s P-10 exactingly reproduces all that is exceptional in this legendary classic, including the original P5 and P10 factory presets, while boosting its feature set for today’s music production and workflow, and celebrating 50 years of groundbreaking innovation from the company that changed the music industry forever.

P-10 is available at cherryaudio.com and authorized resellers for $59. For a limited time, producers can also take advantage of Cherry Audio’s Pick 3 option to get P-10 and two other award-winning Cherry Audio instruments for just $99. P-10 is also included in the recently updated Synth Stack 5, a bundle of all 29 of Cherry Audio’s virtual instruments released through 2024.

With P-10, Cherry Audio has made every effort to capture the sweet-yet-powerful sounds of the eighties from countless artists as varied as Hall & Oates, Vangelis, Japan, John Carpenter and Alan Howarth, Tears for Fears, Tony Banks, Phil Collins, Rick Wakeman, Duran Duran, Brad Fiedel, Geoff Downes, Talking Heads, Pink Floyd, The Cars, Kraftwerk, and more.

Every aspect of P-10 has been modeled with the utmost care, from the Curtis 3340 oscillators and 3320 filters to its unmistakable oscillator sync. Although maintaining “the sound” was at the forefront of our mission, we’ve added thoughtful updates to modernize the user experience, including an expanded 16-voice per layer polyphony, a four-track step sequencer, velocity, polyphonic aftertouch, and keyboard split. P-10’s extensive modulation includes Mono Mod with LFO/Noise source mix, the renowned and innovative Poly Mod, with individual voice modulation paths, an Aux Mod section that extends upon the original’s Pedal Mod capabilities, and a newly added Pressure Mod section with support for mono and polyphonic aftertouch. 

We’ve also added a second panel with an arpeggiator and complete effects section for each layer, including a fully independent assignable independent LFO section and modulation of key effects parameters via aftertouch. P-10’s comprehensive MIDI mapping capabilities and over 500 professional presets — including the original P5 and P10 factory patches — make it a must-have virtual instrument that will thrill both vintage synth enthusiasts and today’s music producers.

P-10’s most notable features include:

  • Highly optimized, massive dual-layer voicing architecture with 16 polyphonic voices per layer.
  • Configurable as two independent synths, a single synth, dual-preset layered, or alternating between layers with each keystroke
  • Keyboard split or stacked layer modes allow two simultaneously playable layers, with separate per-layer controls for all parameters, including arpeggio and effects
  • Over 500 professionally designed presets, including the original P5 and P10 factory patches, accessible in a convenient preset browser
  • Exquisitely rendered and immersive UI with show/hide keyboard option
  • Extensive modulation through routing and support for mono and polyphonic aftertouch: Pressure Mod, Poly Mod, Mono Mod, and Aux Mod.
  • Per-layer drift control subtly varies oscillator and filter parameters for authentic analog character
  • Extensive layer utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets
  • Step Sequencer consisting of four individual monophonic sequences: up to 128 steps, assignable to either layer, and stored individually with each preset
  • Arpeggiators with tempo sync, independently assignable to both layers
  • Two independent studio-quality effects chains with global or dual layer modes: distortion, 4/6/12-stage phaser, flanger/chorus, three types of delay with sync, and five types of reverb
  • Independent, per-layer FX-LFOs, FX Pressure-Mod, and FX Mono-Mod to modulate effects parameters
  • Directly import original P5 and P10 patch bank SysEx data via drag-and-drop

More extraordinary sounds are on tap exclusively from Cherry Audio with the Exponents for P-10 Preset Pack ($9.99, sold separately), featuring 100 more presets that further explore P-10 through layers and splits, sequences, arpeggios, effects, modulation, and aftertouch.

Cherry Audio’s P-10 synthesizer is available for macOS (10.13 and above) and Windows (7 or above) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive instructional video, system requirements, and an extensive collection of awe-inspiring sound demos. 

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Native Instruments Komplete 15

Software Review

Complete, Completer, Most Komplete?

Now, Native Instruments’ giant bundle of software synths, effects, expansions, and other sonic goodies has reached version 15, and it’s probably the biggest software collection ever seen. Of course, we have to take a closer look at all this glory.

It was at the end of September that the developers behind Native Instruments called a digital press conference. There, they showed off their latest product in the category “Biggest software package ever” to a gathered world press. For early and eager users, they also enticed us with a free package in the form of iZotope’s Neutron 4.

Some of the new stuff…
So what do you find in the new package? Well, over 50 instruments, effects and expansions, and in this package they flag a little extra for those who are interested in creating film music, but of course there is plenty of useful stuff also for those who yearn to succeed in composing a real pop song for the international charts.
The new Kontakt 8 is included in both Komplete 15 Standard, Ultimate, and the Collector’s Edition. In this industry standard among sampling-based instrument platforms, we now find, among other things, two completely new audio tools: Chords and Phrases Tools. Furthermore Leap is a tool for experimenting with creating loops, and Conflux is a new hybrid instrument with extra powerful wave-table functions. There you can, among other things, modulate organic and synth-based sounds in real time.

Kithara, on the other hand, is a collection of various guitars and other picked stringed instruments, which have then been transformed with various creative techniques and a powerful, warm sound design. Here we find classic nylon-string guitars, flamenco instruments, steel-string guitars, balalaika, cuatro and ronroco. All of them are masterfully sampled with extremely detailed accuracy, and just as much effort has been put into the possibilities of changing the sounds with the help of powerful sound design. In Kithara, raw, organic sounds are mixed with modern sound tools and the result can be anything from discreet delicate pickings to large sweeping sound textures.

Four versions
Komplete 15 is now available in four different versions: Select, Standard, Ultimate and Collector’s Edition. The entry variant Select is also available in three different editions: Beats, Band and Electronic.

Beats is of course aimed at producers/music creators who want to create beats for hip-hop and R&B. Band focuses on sampled instruments for songwriting and jamming. Finally, Electronic is a powerful tool for electronic music creation.

Komplete 15 Standard includes the new Kontakt 8 along with more than 95 professional-grade instruments and effects, more than 40 expansions and over 50,000 different sounds. Here we also find Ozone 11 Standard, Massive X and many other powerful audio tools.

In Komplete 15 Ultimate we find over 150 different top-class instruments and effects, everything from ultra-modern synths to symphonic sample libraries, and in addition more than 70 different sound expansions. Alicia’s Electric Keys, Ashlight and Action Woodwinds are some of the new products in Ultimate.

Komplete 15 Collectorʼs Edition is the complete Komplete package with over 165 instruments and 120 top-class expansions. Here, the developer promises that the package offers “unparalleled resources for professional production, film music composing, performance and sound design. Fables, Valves Pro and the brand new Kithara are some of the additions to Native Instruments’ fullest collection to date.
For those who have not tried Komplete before, there is also Komplete Start, a large collection of free plugin synths and effects.

Komplete 15 Standard is a really full-fledged software package, but the Collector’s Edition is the most complete.

Some more news
We have already mentioned Alicia’s Electric Keys, Ashlight, Action Woodwinds, Fables, Valves Pro and Kithara. In any case, this is how the developers themselves describe their new items:

  • Kithara: a cinematic collection of guitars and plucked string instruments transformed with creative performance techniques and powerful sound design.
  • Fables: Weave stories together using sound from an immersive cinematic ensemble library for both performance and production.
  • Valves Pro: Soft and shifting sounds from trombone, flugelhorn, horn, tuba and euphonium, with an expanded library of articulations.
  • Vocal Colors: An expressive “vocal engine” that enhances the feeling of the human voice with inventive modulation features.
  • Schedule; Dark & ​​Light: Dark and destructive pulses meet opulent, melodic patterns in this duo of melodic sequencer plugins.
  • Action Woodwinds: The true-to-life sound of a full orchestral woodwind ensemble with a wide range of phrasing and articulations.
  • Alicia’s Electric Keys: Discover Alicia Keys’ own CP-70 electric grand piano loaded with her own custom effects chains.
  • Acoustic Sunburst Deluxe: Percussion/pick drum accompaniment and plucked notes from a premium acoustic jumbo guitar, with over 250 patterns and an additional melody instrument.
  • Upright Bass: The deep, organic lower register of a fantastic double bass made in Mittenwald in the 1970s.
  • Session Percussionist: An intuitive drum and percussion library with over 2000 customizable patterns and an advanced step sequencer.
  • Play Series Instruments: From hip-hop and R&B to house and techno, Play Series instruments deliver outstanding sound quality with an easy-to-use interface.
  • Expansion Sound Packs: Created by top artists and sound designers, expansions are genre-focused sound packs loaded with synth presets, drum kits, one-shots, samples and loops.
The new Alicia Electric Keys, here here accompanied by Kontakt 8 and Chords Tool.

Well, how does it sound?
How does the word overwhelming fit? Well, that is almost the feeling you get from listening through all the new and excellent-sounding items that Komplete 15 offers in its Collector’s Edition. If, like me, you already have the latest version of Logic Pro with all its instruments, effects and other sound goodies included, Komplete 15 undeniably feels like the perfect complement. With these two powerhouses, you should in principle be able to create any type of music you can imagine, everything from “serious” classical orchestral music via film scoring, pop, and R’n’B, to the very most modern of all synth-based music genres. And everything sounds close to otherworldly good, as you’ve learned it does when it comes from Native Instruments.

The new tools in Kontakt 8, which have also received a major facelift with both an improved browser and a scalable user interface, also include, as mentioned, some new audio tools. In Chords, you can create your own chord sequences or let the program come up with lots of interesting suggestions. The same applies to Phrases, although instead with lots of different melodic phrases of course.
These two tools may feel a bit like an “auto-playing piano” to some degree, but there are probably many musicians who can benefit and get lots of help in their music creation, from Chords and Phrases.
On the other hand, I found the loop tool Leap and the new hybrid instrument Conflux to be extremely powerful and exciting. I’m sure these two could influence many in a most creative way.

The new sight CONFLUX (not KomVux) is an extremely powerful piece with lots of modulation possibilities.

A large audio collection of sounds for film scoring
Many of the novelties do perhaps fit best in the area where all film score composers currently reside; low-key, enveloping, esoteric and exciting sounds that set the imagination in real motion. This is, of course, a trend that repeats itself among many developers of sampling and sound packs today, I have noticed. Film music seems to be a new popular music genre; Maybe there is a John Williams, Ludwig Göransson or Hans Zimmer hiding in every home or project studio today?
A lot of music in that genre can be created with all the new expansions for Kontakt 8, and if you also have access to one of the new keyboards in the Komplete Kontrol 3 Series, this has also been progressively upgraded since it was launched, to be able to control more functions directly from the keyboard. 30 new expansions ensure that a tester never gets tired of new exciting sounds.

Guitarist goodies
For all the guitar players we have Guitar Rig 7 Pro, which is completely stuffed with amplifiers, effects pedals and other small and useful things for all us string benders. It has been given another substantial face-lift from previous versions. The improved searchability in the browser has made the search for exciting guitar sounds so much easier.


For the backing guitarist in mind, there is now also a new acoustic rhythm guitar of the very best brand: Session Guitarist – Acoustic Sunburst Deluxe. Strum on!

Here we have combined the new Session Guitarist – Acoustic Sunburst Deluxe with the Phrases Tool.

Summary
An extremely good-sounding and slightly overwhelming music and sound package from Native Instruments has landed. Komplete 15 certainly lives up to its name. I have a hard time seeing how they could top this in Komplete 16 and beyond. With such a large amount of sound expansions and also lots of interesting software synths and sound effects, 

Komplete 15 already feels complete. If all of this seems totally overwhelming, or if you feel uncertain about the need for any of the included parts, there is always the option of starting with the free Select version. This is available in three different editions: Beats, Band and Electronic. There you can first get a feel for it, and if you then get curious about what the larger packages had to offer, there is always the option of upgrading later on.
Starting this way could be a very good option. 

I also have to give a big shout out to the developers of this pack. There are lots of sound demoes of what you can find in the various Komplete packages on the Native Instruments website. Danke schön!

FACT & FIGURES
INFORMATION Native Instruments, www.native-instruments.com/en
PRICE 599 euros for Komplete 15 Standard, 199 euros for the update; 1,199 euros for Komplete 15 Ultimate, 399 euros for the update; and 1,799 euros for the Collector’s Edition, and 499 for the update, but keep an eye open for extra discounts during Black Friday / Cyber ​​Week

PLUS

  • Biggest software package ever
  • Unbelievable amount of sounds and effects
  • 30 new expansions
  • Kithara and Conflux are interesting newcomers
  • New Kontakt 8 means a clear improvement
  • Guitar Rig 7 Pro & Session Guitarist – Acoustic Sunburst Deluxe
  • A goldmine for film score composers

MINUS

  • Rock musicians can feel a bit left out

LINKS: https://www.native-instruments.com/en/products/komplete/bundles/komplete-start/

Here’s a video where they show some of the highlights from Kontakt 8:

Komplete 15: 

https://www.native-instruments.com/specials/komplete/komplete-15

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New Cubase 14 Is Designed to Inspire 

Press Release

Steinberg releases the latest version of Cubase, with innovative new features for music creation, beats and grooves, audio optimization, scoring, and effects that make composing, producing, and mixing more inspirational than ever. 

HAMBURG, Germany — Steinberg has today announced the immediate availability of Cubase 14 with significant new features and enhancements that make the award-winning music production software truly designed to inspire. 

Cubase 14 offers three different versions which give users a natural creative pathway — from those taking their first steps with the powerful yet intuitive tools of Cubase Elements through intermediate-level users with Cubase Artist all the way to the comprehensive, industry-standard features of Cubase Pro, which is used on countless well-known recordings by high-profile artists. Cubase provides everything musicians and producers need, for every genre of music, skill level and budget. 

The new features in Cubase 14 put creativity first, enabling users to create music which is unique and innovative while making the writing, mixing, and production processes more inspiring and intuitive than ever before.

New features to power your creativity 

Cubase 14 introduces six powerful, intuitive Modulators which allow users to modulate any parameter of a track or channel that contains an audio signal. With an LFO and Step Modulator among others, this is a major new feature that will help to push the creative envelope of many music productions. 

A new addition to Cubase’s track types, the Drum Track is an all-in-one environment for the creation of complex drum patterns and offers comprehensive features that allow users to build custom drum kits. At its core are the new Drum Machine, a versatile hybrid of drum sampler and percussion synthesizer and the Pattern Editor for programming propulsive, dynamic beats, randomizing grooves, and exploring new rhythmic worlds with just a few clicks. 

Refined audio mixing, editing and processing 

The full MixConsole can now be opened in the Lower Zone of the Project window, allowing channels to be re-arranged via drag and drop for faster, more intuitive mixing. 

The event volume curve editing in Cubase 14 has been enhanced so that users can optimize their audio with draw tools that are familiar from automation editing to edit fades and adjust static event volume offsets. 

New effects in Cubase 14 include Shimmer, a reverb plug-in that lives up to its name. Then there is StudioDelay, a distinctive, easy-to-use delay with quick access to built-in effects like modulation, distortion, reverb, and pitch. Autofilter is a filter specially designed for modulating its cutoff frequency via the input track or sidechain signal. Cubase 14 introduces Underwater, a brand-new signal processor for building atmosphere and space for vocals or lead instruments with the well-known “party next door” effect. And to round out the new additions, a Volume effect allows control of volume independently of the MixConsole volume fader. 

Notation is now even more elegant and powerful 

Cubase 14 introduces a revamped Score Editor built on technology from Dorico, the cutting- edge music notation and composition application from Steinberg. The new Score Editor provides a powerful, notation-based MIDI editor which will allow users to quickly and easily examine and edit music as notation while producing great-looking parts for live recording projects. 

More to discover 

Customers will appreciate that Cubase 14 is a true evolution, with the many new features and enhancements to the already comprehensive feature set, making it the perfect solution for music-makers of all levels. 

  • DAWproject file format support for seamless project transfer between DAWs. 
  • The enhanced Range Selection tool provides many new functions and workflows. 
  • The play probability of each individual note in the Key Editor can be set to add variation to projects. 
  • The performance monitor shows exactly when and where projects are pushing the processor’s limits. 
  • Backup files are now stored in a dedicated Auto Saves folder. 
  • More colors are included with SuperVision to visualize meters based on frequency or intensity. 
  • The Control Room has been given an aesthetic makeover. 
  • SpectraLayers Go 11 adds new spectral audio editing tools for music, sound design, restoration, and repair. 
  • Enhancements to immersive audio, including Dolby Atmos monitoring speaker layouts and support for up to fourth-order Ambisonics. 
  • Further improvements to audio connections, project management and import/export, enhanced video engine performance, and much more. 

Availability and pricing 

Cubase Pro 14, Cubase Artist 14, and Cubase Elements 14 are available from resellers and through the Steinberg Online Shop. The suggested retail price for Cubase Pro 14 is 579 euros or 579.99 US dollars. The suggested retail price for Cubase Artist 14 is 329 euros or 329.99 US dollars. The suggested retail price for Cubase Elements 14 is 99.99 euros or 99.99 US dollars. Prices may vary according to region. 

A range of downloadable updates and upgrades, crossgrades, and education versions are exclusively available through the Steinberg Online Shop. 

Customers who have activated Cubase Pro 13, Cubase Artist 13, and Cubase Elements 13 or earlier versions from October 9, 2024, are eligible for a free, downloadable grace period update for their particular version of Cubase. 

New features at a glance 

  • Modulators for adding movement to your music [Pro] 
  • Pattern Sequencer and Pattern Editor to radically enhance your rhythmic world [Pro・Artist]
  • Drum Track all-in-one environment for drum creation and sequencing [Pro・Artist]
  • Drum Machine for designing and sampling drum sounds [Pro・Artist]
  • Powerful event volume curve editing and streamlined workflows for better gain staging [Pro・Artist] 
  • Shimmer effect for creating ethereal soundscapes [Pro・Artist]
  • Revamped Score Editor based on state-of-the-art Dorico technology [Pro・Artist・Elements]
  • Enhanced MixConsole for faster, more intuitive mixing [Pro・Artist・Elements]
  • Supremely versatile StudioDelay [Pro・Artist] 
  • Underwater plug-in, simple but effective for vocals and lead instruments [Pro・Artist・Elements]
  • AutoFilter plug-in for enhanced filter movement [Pro・Artist]
  • A range of other tool and performance improvements [Pro・Artist・Elements]

Promotional video

More info

https://www.steinberg.net/press/2024/cubase-14

About Steinberg Media Technologies GmbH 

Steinberg is known the world over for its music and audio software and hardware solutions. The company has been developing, manufacturing and selling innovative products for musicians and producers in the music, film, post-production and multimedia industries since 1984. Steinberg products are used by Grammy and Oscar award-winning composers, engineers and producers. 

Visit www.steinberg.net for further details. 

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e-instruments SLOWER

Press Release

Hamburg, GERMANY, September 2024.

e-instrumentsannouncethe release of SLOWER, an innovative instrument library for NI Kontakt Player that offers music producers and composers a unique sonic experience brimming with new sounds and analogue textures. SLOWER captures high-end sample content recorded on four distinct tape machines, each played back at half speed resulting in all sounds being one octave lower to create rich and evocative tones.

SLOWER: A New Dimension in Analogue Sound

Designed for those seeking emotional, analogue-inspired textures, SLOWER delves into the world of half-speed tape to deliver an extraordinary range of sounds. The library features an eclectic mix of keys, guitars, strings, woodwinds, brass, and rarities such as the dulcimer and harmonium. These sounds are transformed by the half-speed tape process, resulting in everything being one octave lower to produce deep, warm, and nostalgically rich tones, available across four distinct types of tape machines: Studio, Portable, Cassette, and Dictaphone.

SLOWER – Key Features

  • Analogue Authenticity: Experience genuine, pitched-down tape sounds that bring rich, organic layers to your music.
  • Four Tape Machines: Explore a variety of tones with Studer, Uher, Tascam, and Sony tape machines, each offering distinctive audio qualities.
  • Diverse Instruments: Access 65 sound sources, including keys, synths, guitars, strings, woodwinds, brass, and rare instruments, all recorded on four tape machines.
  • Preset Library: 230 presets from top sound designers, offering a wide range of sounds to inspire creativity.
  • 27 Effects: Unlock extensive sound processing with curated delays, distortions, reverbs, and filters, all customisable in a five-slot FX chain.
  • Modulation Matrix: Dive deep into sound design with assignable LFOs, modulation envelopes, a step modulator, aftertouch, and more.
  • Macro Controls: Transform sounds in real-time with three single-slider macros, enabling dynamic and expressive performances.
  • Additional Tape FX: Add extra wobble, noise, and flutter to enhance the tape characteristics as needed.
  • Reverse Samples: Create ethereal, slow-attack sounds with the reverse parameter.
  • NKS and Kontakt Compatibility: Compatible with Native Instruments Kontakt 7.10.2 or the free Kontakt player, with full NKS integration.

The Art of Half-Speed Tape 

Half-speed tape recording transforms familiar sounds into something entirely new and captivating. By slowing down analogue tape playback, SLOWER introduces a wealth of texture that digital methods simply cannot replicate. The natural wobble, flutter, and noise inherent to tape add depth and warmth, enhancing acoustic timbres and bringing out lower frequencies to create thick, mellow sounds. This technique imbues music with a unique emotional quality, adding a magical, nostalgic layer to any composition.

Exploring The Tape Machines 

SLOWER’s sounds are captured using four distinct tape machines, each imparting its own sonic character:

  • Studio: The Studer A812 and Revox PR99 open reel-to-reel machines offer warmth and fidelity, ideal for polished, high-end sounds.
  • Portable: The Uher 4400 Report IC and Monitor models deliver a compact, yet richly detailed tonal palette.
  • Cassette: The Tascam Portastudio 424 mk III embodies the unmistakable warmth and grit of cassette tape.
  • Dictaphone: The Sony M650v microcassette provides a raw, lo-fi texture, perfect for adding a nostalgic crunch.

Each machine brings its own flavour to the table, allowing users to explore and experiment with a wide range of sonic possibilities, from the refined to the lo-fi.


A Rich Collection Of Instruments And Sounds

SLOWER boasts 65 different sound sources, each recorded on four separate tape machines, as well as an extensive selection of synthesised sounds. This library transforms classic instruments – including grand and upright pianos, electric and acoustic guitars, and orchestral strings – into a broad spectrum of textures. Additionally, recordings from renowned synthesiser models provide evolving pads and intricate textures, making SLOWER a versatile tool for any genre, from Hip-Hop to Ambient and Electronica.

Advanced Sound Design Capabilities 

SLOWER is equipped with a powerful sound design engine, featuring 27 built-in effects, envelopes, LFOs, step modulator, aftertouch, and more. Users can customise a five-slot FX chain, utilising delay, distortion, reverb, filters, and other effects curated by sound designers to complement the library’s content. Reverse samples enable the creation of ethereal sounds with a slow attack, while separate controls for noise and wobble enhance the tape’s inherent imperfections. Most parameters can be modulated, offering extensive sound processing possibilities that range from subtle enhancements to dramatic transformations.


Preset Library 

SLOWER comes with 230 presets crafted by top sound designers, providing instant inspiration and a solid foundation for any project. Whether users are seeking warm, moody pianos, unique string textures, or deep wind instruments, the diverse range of presets ensures that there is always a sound to fit the creative vision.

Price & Availability

Intro Price: €99 / $99 (Ends 10th October 2024)
Regular Price: €149 / $149 Product Page: https://e-instruments.com/instruments/tape/slower/ 
Official Promo Video: https://youtu.be/hYgaOZTkUHQ
Walkthrough Video: https://youtu.be/tHR0xWgefoA  

NKS and Kontakt Compatibility:
Compatible with Native Instruments Kontakt 7.10.2 or the free Kontakt player, and fully integrated with Native Instruments NKS.

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Sonuscore’s Chroma – Upright Piano

Software Review

A TRULY SPECIAL PIANO

Once in a while you find this very special instrument. It might even be so special that you wonder why no one told you about it before. 

Chroma Upright Piano is just such an instrument.

Chroma – Upright Piano stands out a little bit extra, not just because it has such a rich history, or because it has been magnificently restored, but more for its unique character and the emotions it can convey.

It all started in a small studio where Sonuscore’s team was going to sample a grand piano. Be that as it may, someone happened to see another and much less conspicuous piano – a regular so-called “upright”, or Joanna as they used to say. When you played a few notes on this piano, you discovered that it sounded absolutely magnificent – although perhaps a little out of tune. However, it was convincing enough to decide to give it a major facelift in the form of a thorough restoration and tuning. This piano just had to be sampled and shared with the world.

Würzburger Pianohaus

The piano came from a small manufacturer, Wilhelm Diemer, who had a workshop in Würzburg, Germany. Diemer pianos were known for their brilliant quality and distinctive sound. This particular copy was approx: 100 years old and after the careful restoration it turned out to have all the acoustic properties that had been hoped for, and now it is available in sampled form as Chroma – Upright Piano.

In fact, Jonas Hausotter, one of the engineers behind the sampling of Chroma, found out that the studio that originally housed Chroma – Upright was going to close, and so he was given the opportunity to purchase the old treasure. The piano is now with Hausotter in Mainz.

The recording

Recording an upright piano may sound straightforward, but truly capturing its acoustic soul requires a sensitive approach. Jonas reveals the diverse array of microphones used to ensure every nuance could be preserved:

“We used a whole set of different microphones – many more than on a grand piano. In front of the piano we had two Coles 4038s really close to the strings and another ribbon mic in the middle to fill out the stereo image. Above, we placed a pair of Neumann km140 at a distance, somewhere between 0.5 and 1 meter from the piano, and a pair of Schoeps mk5 even higher to capture the whole instrument.

Below we had a pair of Gefell m930s under the keyboard and a pair of Sennheiser mkh8020s behind the piano. And let’s not forget the RUMBLE position – a single LOM Audio Geophone attached to the metal chassis, providing a unique depth of sound.”

This detailed microphone placement allows the Chroma – Upright Piano to offer a rich, multidimensional soundstage. Whether you want the intimate closeness of the ‘Front’ position or the wider perspective from ‘Above’, each microphone captures a different aspect of this piano’s character.

The articulations: The source of creative expression

What really sets Chroma – Upright Piano apart from other piano libraries is the Chroma method: the articulations. They didn’t just record the standard tones; they pushed the boundaries and included both felt, muted, plucked, flageolet and string articulations. Each one offers a unique texture and emotional depth, which can provide a large palette to paint your musical stories.

“The felt sounds really good! We also recorded muted notes because we loved them so much on the grand piano we sampled earlier. Picked notes – probably my least favorite because it was killing my fingers – and flageolets, which sound really cool with their harmonic content. And this time we used a real violin bow instead of an E-bow,” explains Jonas.

In NI’s Kontakt, these articulations can be mixed and played in parallel, allowing you to explore a wide range of emotions and textures, from the soft, intimate whisper of felt notes to the incredibly beautiful overtones of flageolets and literally everything in between. It’s a playground for creativity, offering you the tools to create deeply expressive and unique compositions.

Round Robins bring your music to life

Round Robins are an often overlooked feature, but they play a critical role in bringing a sampled instrument to life. Chroma – Upright Piano has eight different Round Robins that alternate, and they also sampled 27 touch layers for the standard and felt articulations, even more than they did for Croma – Grand Piano. This makes every note you play feel organic and dynamic, capturing the subtle nuances that make real pianos so captivating.

“It makes the instrument more alive because you capture so many small nuances with the small differences in touch,” notes Jonas. This attention to detail means Chroma – Upright Piano responds to your touch just like a physical piano, adding depth and realism to your playing.

Is Chroma – Upright Piano a better piano then?

Yes, it is in any case very different with its whole set-up; sampled with lots of different microphones, its many different articulations – and the possibility to mix these, 91 different factory settings (preset) and 27 different touch levels for a very nuanced and dynamic sound.

And yes, I probably also think it sounds better than most upright pianos I’ve listened to. There is a warmth in the sound that you rarely find in the sampled world. And the feeling when playing the Chroma – Upright Piano is also very special. You get extremely close to the feeling you can experience when you play a really good physical piano.

Chroma – Upright Piano is a very useful piano for both quiet piano ballads in the singer/songwriting tradition, for composing film scores, for traditional pop music and everything in between.

It’s also an excellent complement to Sonuscore’s Chroma – Grand Piano, if, against all odds, you think a grand piano takes up a bit too much space in the mix – we’re of course also talking about the sampled version.

In addition to the possibility of mixing different articulations, you also have the possibility to vary the amount of mechanical sound that normally occurs when pedaling and hammering on keys.

Conclusion

With Chroma – Upright Piano, Sonuscore presents a very useful and good-sounding alternative to all sampled full-size grand pianos that can be encountered in the music world. It has a warm, soft and full character and lots of different articulations that you can control in real time with modulation wheels, or other control devices via NKS. I was especially fond of the felt-muffled articulation and the flageolet variant, but also the plucked articulation felt both exciting and useful at the same time.

Chroma – Upright Piano has been sampled with no less than 27 different pitch levels and this naturally contributes to the truly realistic feeling you get when playing the piano. This one comes highly recommended!

System requirements

• Works with the free version of KONTAKT PLAYER

• KONTAKT Version 7.10.4 or later

• macOS 10.15 or later

• Windows 10 or later

• 8GB RAM (more recommended)

• At least 17 GB of free hard disk space. SSD is recommended

• Some of the presets for CHROMA – UPRIGHT PIANO need a powerful CPU to run smoothly; an Intel i7 processor or better is recommended.

Facts

Sampled upright piano

INFO & DEVELOPMENT Sonuscore, www.sonuscore.co,

PRICE Chroma Upright: 149 euros; crossgrade from Chroma Grand Piano to Chroma Upright: 99 Euro; Chroma Upright + Chroma Grand Bundle: 239 Euros

PLUS 

  • Sounds absolutely beautiful
  • NKS compatible
  • Works with the free Kontakt Player version
  • 27 velocity layers
  • About 90 different presets
  • You can mix different articulations
  • Four different microphone positions

MINUS

  • Why hasn’t anyone told me about Chroma – Upright Piano before?

Links

INFO https://www.sonuscore.com/shop/chroma-upright-piano/

Here you can listen to some of the presets that Chroma – Upright Piano offers:

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Press Release

IK Multimedia T-RackS 6

Hits Made Easy

The iconic mixing and mastering flagship adds new processors,
a supercharged mastering console, side-chaining, improved metering,
convenient module management and much more.

September 5, 2024 – IK Multimedia, the leading innovator in music software and hardware, proudly announces the release of T-RackS 6, the latest generation of its acclaimed mixing and mastering software. With innovative new modules, improved capabilities, faster workflow and more effortless organization, T-RackS 6 expands on its legendary sound quality, speed and ease-of-use to offer everything musicians, producers and engineers need to craft the perfect track. 

The One-Stop Mixing and Mastering Suite
T-RackS 6 offers 60 world-class mixing and mastering processors, available individually in any DAW, as an all-in-one plug-in or as a standalone Mastering Console. Also included are T-RackS’s celebrated presets covering every instrument and genre, providing instant starting points and minimizing time spent tweaking so users can get their hits done.

From studio must-have compressors, EQs and channel strips, all leveraging IK’s industry-leading analog modeling technology, to hall, room, plate and spring reverbs based on some of the most iconic studios of all time, to cutting-edge digital processors and organic all-in-one units, T-RackS 6 offers every tool users could need to shape their mixes and masters.

New Generation Master Match
Users can more precisely shape their mix by selecting a reference from a track they love. The new Master Match X takes a mix from that starting point to a final, polished, distribution-ready master that shines with the same sonic aspects as the beloved reference track. It’s done automatically and then can be fine-tuned to adjust the results to match each user’s vision of perfection. 

Search Less and Save Time
The new Modules Manager allows users to manage which modules appear in their DAW, T-RackS 6 plug-in and Mastering Console. Users can now show or hide the plug-ins in their lists. They can conceal unowned processors or leave them visible to demo as needed – it’s all in users’ hands.

The Most Powerful Processors Ever
T-RackS 6 expands its plug-in collection with eight new modules. These new modules provide a wealth of options for mastering, mixing and creative sound design:

Master Match X: The next generation of intelligent mastering: instantly analyze a reference song to match EQ, balance, compression, limiting and more. With internal or external references and a wealth of controls, anyone can create professional-sounding masters almost instantly.

Channel Strip X: T-RackS’ most advanced channel strip ever, this versatile unit delivers EQ, de-essing, dynamics processing and transient shaping in a single lightning-fast unit, with tailored presets for various instruments and ensembles.

Bass ONE: Innovative, organic multi-algorithm processor that makes the low end thick, solid, clean, uncluttered, precise and powerful.

Lo-Fi Punch: This harmonics and dynamics multiprocessor can add and alter the audio texture, ranging from subtle warming to total squashing. It has dynamic tone shaping and convenient control to add textures, thickness, dimension, grit, life and movement.

Dual Spring: Spring reverb is one of the foundations of everybody’s sonic memories. Everything processed with a spring becomes fascinating, intense, dreamy and mysterious yet comfortable and familiar. The Dual Spring pushes the concept by adding never-before-seen parameters to a spring unit, such as selecting the spring material, using stereo or mono single reverb, reverb length, reverb stretch, and more. It offers classic analog tone with digital flexibility and convenience.

Delay Lab: This powerful delay unit adds movement, space and depth to vocals, instruments, rhythmic patterns and everything else. Its delay unit is clear and open-sounding, giving everything space and a sense of dimension.

Pusher: Saturation driven further. A unique 4-band processor that offers five different saturation types per band, along with envelope, drive and color controls. With limitless options, from subtle enhancement to trashing total distortion, it’s always musical and creative with all independent saturation types and settings per band.

Filter Fusion: This do-it-all filter processor offers five unique filter types, including a model of the iconic Moog® transistor ladder. It’s combined with a dizzying array of controls and options, including a step sequencer for rhythmic use and an innovative modulation joystick for incredibly nuanced and expressive effects.

Refined, Resizable GUI
The redesigned graphical user interface (GUI) is engineered for speed and functionality, providing a faster, more responsive experience and offering re-sizing to adapt to users’ workflow preferences. Each plug-in can now be resized on the DAW screen, even to tiny sizes, to keep them open while mixing, dramatically improving the mixing workflow and allowing more concentration on the sound.

Side-chaining
All T-RackS compressors have been updated to add side-chain input, which allows control of the dynamics using a different signal for added flexibility.

All New Mastering Console
T-RackS 6’s Mastering Console has been designed for a fast and smooth user experience. Users can import mixes and set a specific mastering chain per song, with instant total recall of the whole song’s chain and parameters on playback.

In addition to the dedicated song-based processing, a new master bus lets users add up to four additional processors that will be applied to the whole project to, for example, alter the color of the entire record with just a single post-EQ and apply a global final limiter. I/O metering on each module in the chain allows for an instant check of the gain staging and keeps all levels under control on a single page.

Preset Browser
Easily browse, find and check presets on a floating window with tags and a smart search function. Then, apply what’s needed to the project. 

New Metering
Accurate, extensive and complete audio metering is a must today. The T-RackS 6 multi-standard-compliant Loudness meter (EBU R128, ATSC A/85, OP-59, TR-B32) allows for immediate checks for the compliance of content audio tracks – true peak PPM, Dynamic Range and RMS – all with both graphical and numeric readout.

Sonogram and filter-based smooth RTA make T-RackS 6 Metering a true professional toolkit. The tailorable and customizable Metering View gives complete control over what to show or hide on the meters set on each project. 

Something for Everyone
T-RackS 6 will impress existing T-RackS users who want more control while having greater flexibility to customize and streamline workflows. New users will be blown away by this comprehensive suite of tools, which sounds fantastic and is easy to use.

A New Gateway
T-RackS 6 INTRO is a free version that offers immediate access to three essential modules for users to keep – the Classic Comp, the Classic EQ and the Master Match X lite – with the convenience and high-definition sound quality of paid T-RackS 6 versions. Users can also quickly explore and test any of the 60 available modules for 14 days without any commitment to buy, restrictions or white noise. Please note that porting modules from T-RackS 5 is only possible with a paid version of T-RackS 6.

Compatibility and Accessibility
T-RackS 6 is designed to be fully compatible with Mac and Windows platforms. It supports all major plug-in formats, Audio Units, VST 3 and AAX.

Pricing and Availability
T-RackS 6 can be downloaded now from the IK Multimedia online store and through IK authorized dealersworldwide at the following prices:**

T-RackS 6 INTRO Free* – 3 plug-ins, T-RackS Plug-in, Mastering Console

T-RackS 6 $/€99.99 – 19 plug-ins, T-RackS Plug-in, Mastering Console 

T-RackS 6 PRO $/€199.99 – 40 plug-ins, T-RackS Plug-in, Mastering Console

T-RackS 6 MAX $/€299.99 – 60 plug-ins, T-RackS Plug-in, Mastering Console


Existing T-RackS users can enjoy exclusive upgrade savings:

Upgrade to T-RackS 6 MAX

For existing owners of any T-RackS product: $/€199.99
For existing owners of 25+ T-RackS processors: $/€149.99***
For existing owners of 50+ T-RackS processors or T-RackS 5 MAX v2: $/€99.99***

Free plug-ins included

*No module porting from T-RackS 5.
**All pricing excluding taxes.
*** Via coupon automatically applied at checkout.

For more information about T-RackS 6, please visit:

www.ikmultimedia.com/tr6
www.ikmultimedia.com/tr6/video

A longer demo:


IK Multimedia. Sound Better.
www.ikmultimedia.com

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SOFTWARE REVIEW Baby Audio Humanoid

Vocal Transformer / Hard-Tuner Plugin

Cheekiest Auto-tuner on the market?

Recently, new vocoders, voice distorters and “auto-tune-wanna-bes” have been officially released from various developers. Sometimes it can be difficult to find ones way in this jungle, but we still try to clarify the concepts a little bit…

Antares and their Auto-tune variants were for a long time quite alone in this niche, but soon both software and hardware appeared that wanted to help musicians, vocalists and producers to create a sound of their ”own”. The result, of course, was that everything sounded quite similar in many ways. If everyone tries to sound like Daft Punk or Cher, the result will unfortunately not sound very personal. But now, at least, the developers behind Baby Audio are working hard to make us sound really different on our vocal tracks. Their Humanoid is a really exciting plug-in, and of course I felt compelled to check it out.

Baby Audio

Pasadena-based Baby Audio has long seen it as its mission to develope truly creative tools for music creators. And they have succeeded very well in this. If nothing else, the glowing reviews their plug-ins have received from music magazines in all corners of the world attest to this. Magazines such as Future Music, Sound on Sound and Computer Music have literally fertilized their pages with superlatives when they tested the company’s various plug-ins.

Since 2019, they have managed to release no less than 12 different plug-ins, and there is no indication that the inspiration of the developers at Baby Audio would run out. On the contrary… With the latest addition to the plug-in range, Humanoid, they show that they are prepared to go as far as humanely possible.

Humanoid

The developers themselves refer to their plugin as a ”Vocal Transformer / Hard-Tuner Plugin”. With Humanoid you can really screw up a vocal track in the most amazing ways. I’ve looked at a lot of similar plug-ins lately, but this is unlike anything I’ve come across before. Surely, some other plug-ins can be made to sound a little odd at times, but for the most part these are pretty pale copies of the classic hardware originals. But Baby Audio doesn’t stop at emulating hardware vocoders; you go All-in! Here, in addition to a normal vocoder sound, you can also create completely freaky robot voices, MIDI-controlled Daft Punk choirs, and much, much more.

The most advanced plug-in from Baby Audio?

Yes, even I am inclined to resort to such superlatives. If you start from the 180 ready-made factory settings (they are called presets in other parts of the world) you can have just as much fun as you like. There are voice effects to explore here, so it will last you many hours. But why stop at exploring presets? Humanoid offers tons of tools and customization options. It could make any experienced and calm minded sound creator going completely bananas and completely off his/her rails. And you can dig in as deep as you want; if the usual sliders are not enough, there is often a ”cogwheel” that opens additional functions.

By clicking on a cogwheel under a function, you can access additional setting options. Also you can choose a darker interface if you prefer.

Basic adjustments

If we start by checking out the most common functions, there are already plenty of possibilities for acoustic extravagances here. We have a Pitch part where you find all kinds of tools to adjust which key and/or scale we want to be in, but here there are also settings for quantization, ”robotizing” the voices and formant adjustment of them. For three of the functions, we also have the previously mentioned cogwheel that opens up further adjustment possibilities.

We also have a synth section with lots of possibilities to affect the sound. In addition to a variety of waveforms to begin with, there are also many possibilities here to further change the sounds. From the factory, the app already has 64 ready-made wave-tables and you can also import your own.

Then you can change the waveforms, time-stretch, add notes, octaves above or below, and with the transform function also ”morph” between different settings. And of course you can also control effects and create voices from your MIDI keyboard. 

The question is whether Humanoid is a synth that can be controlled with vocal elements or the other way around?

In the Utility section there are settings for range, de-essing, gating and smoothing, plus a sharpen effect that further twists the vocal effects. And whiel we’re talking about effects, of course we have to mention the ones included in this app: widen, warble, buffer and freeze. Widen is an excellent stereo widener, warble gives some sort of combined vibrato/tremolo effect, but with its own twist; buffer takes care of the buffer size and freeze of course freezes the sound temporarily. All extremely helpful!

To all this we also add a powerful filter section with both high and low pass filters, plus a really good boost function.

Can you make it sound “normal?”

Well, that’s not the idea of ​​Humanoid…

Here, instead, you can achieve really hard and fast tone adjustments that sound like a much too hard ”Auto-Tune” setting, but here you can also create robotic voices, and other strange voice parts; well, pretty much anything you can do to distort a normal singing voice.

If you can already sing cleanly and nicely in pitch, then Humanoid will make it sound completely different. And is it the other way around that you have difficulty with singing and that you’re usually forced to go on a hunting trip for the right key; yes, then in Humanoid there are always tools that can add a little extra creativity to your voice.

Humanoid can manipulate a singing voice in every imaginable way, plus a few ways you absolutely didn’t think of. And you always have the option to add as much of the effect to your voice as you think it needs with the dry/wet knob found in the output fader’s calibration panel.

The synthesizer offers lots of different waveforms, and you can also import your own wave-tables.

Not AI based

The developers firmly claim that no Artificial Intelligence has been used, exploited or harmed in the development of Humanoid. The program has been developed by ordinary, but perhaps a little extra intelligent, people. And even if the name Humanoid indicates that we could be dealing with some superhuman being, Humanoid is very much about taking the turns vocally as far as is now humanly conceivable – and then some more…

Among all known producers we find names such as

Rob Kleiner, Smitty Soul, Tommy Lee, Jae Deal, Dimitri Tikovoi, Ronan, Chris Murphy, Matt Sin and Dakota G.

They are producers who have worked with artists such as Childish Gambino, Usher, Nicki Minaj, The Chainsmokers, King Crimson, Placebo, Blondie, Lady Gaga, Janet Jackson, Sia, The Weeknd, Motley Crüe to name but a few…

And they are all ready to sign that Humanoid is the best thing to happen to humanity since pre-sliced ​​bread.

Summary

Humanoid is an extreme vocal tuner. You just need to decide what key and scale the vocals will be sung in, and how much quantization you want to use. The app does the rest.

It’s also a voice-controlled synth. Turn the transform knob all the way to the right and you have a wave table synth that you can control with your voice. Amazingly cheeky!

You can also use it to create robot-like voices that bear no resemblance to your own voice.

Then, of course, you can mix all these effects and create something that has never been heard before. Last but certainly not least, you can use your MIDI keyboard to create and play Imogen Heap-inspired vocoder choruses with any number of strange voices.

In short; imagination is your only limitation when using Humanoid. Admittedly, this is a pretty well-worn cliché, but rarely has it felt more accurate. So damn good!

Links

This video shows how Humanoid works and what it sounds like

FACTS & FIGURES

Plugin formats: VST, VST3, AU, AAX (64-bit).

Supported platforms: Mac OS 10.11 and later (including Native Apple Silicon M1/M2 compatibility). PC Windows 10 and later.

Supported DAWs: All the majors, including Ableton Live, Pro Tools, Logic Pro, FL Studio, Cubase, Studio One, Bitwig, Reaper, Reason, etc.

PRICE Now: $79, Regular price $129

DEVELOPER Baby Audio, www.babyaud.io

© Gunnar E Olsson, ManMade Music

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MeldaProduction Plugins v.17

MeldaProduction just recently celebrated its 16th anniversary. However, the company have one more present for the users and for themselves as well. They now present version 17 of all their plugins. 

Introducing MPluginManager

The most important thing in version 17 is the improvement of the users comfort. Therefore, MeldaProduction created MPluginManager, which takes care of all your installations and licensing. It will keep your plugins updated, and will help you to install or repair anything without downloading unnecessary data. From now on, you will be able to manage your licenses and subscriptions from one place.  (Get it in the Downloads section)

New instruments to play with

The Companys universal modular virtual instrument, MSoundFactory, gained several new cool addons. You may check Cyberpunk Bass, Trap Bass, Cyclicity, Ethereal Keys, Alchemist Whoosh, and Organic Scape. All of them are, of course, free for the license owners. 

Other notable updates

MeldaProduction worked hard to improve the efficiency of the core and updated the compatibility of all their plugins (including the free ones) to meet current standards. Some plugins like MTurboDelay gained a lot of new presets.

Start your trial version again!

Even if you have installed previous versions, you can start your 15-day trial version again. Get MPluginManager and dive into the plugins right now. 

You don’t have to BUY the plugins

Just a reminder. The best way to use all of the plugins immediately may be to use the Subscribe-To-Own programme. All the plugins are at your fingertips for just €15 a month. 

Free-for-life updates

Of course, upgrading to version 17 of the plugins is free for all existing users, as always. 

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En man, en röst, en gitarr … och en vissling

Året var 1988. Det ville sig vid den tiden att trubaduren Björn Afzelius skulle släppa en live-platta – lite unplugged, om ni förstår vad jag menar. Ljudteknikern Thomas Folland hade spelat in Björn spelande gitarr och sjungande – på Björns karakteristiska vis – och man hade använt inspelningsbussen som Intervideo förfogade över. Björn och Thomas hade lyssnat igenom resultatet, men speciellt på en låt var det något som saknades. Låten hette ”Bland bergen i Glencoe”, och den behövde onekligen något extra. På studioversionen används säckpipor i någon sorts soloparti, men det är ju svårt att spela säckpipa och gitarr samtidigt, det förstås ju alla. Björn hade visserligen försökt vissla ett solo, men just vissling var inte hans stora grej. Det lät rätt visset, det var man överens om. Då kom Thomas Folland, som den driftige man han var, till insikten att man fick söka efter någon som behärskade visslingens ädla konst på annat håll. Man ville inte ta till någon extern kraft, men visst kunde man fråga sig för i huset. 

Den förste Thomas frågade råkade vara en person, som visserligen inte var så väl förtrogen med (läs: förtjust i) Björn Afzelius musik, men han var ju ändå en musikant som precis hade vunnit Sveriges, och tidningen Hifi & Musiks, första (och enda) demotävling, så helt omusikalisk kunde han ju inte vara. Gunnar var vid just den tidpunkten ivrigt sysselsatt med att kopiera VHS-kassetter till SKF, eller något annat företag. Det var just sådant man i första hand sysslade med på Intervideo. Man gjorde företagspresentationer, och det var just sådana Gunnar satt och kopierade i stora mängder, när Thomas kom inrusande i hans rum och frågade: Kan du vissla, Gunnar? När han svarade jakande på den abrupta frågan, blev han ombedd att genast följa med till ljudavdelningen där Thomas hade sitt säte vid ett gigantiskt mixerbord. Gunnar fick ta plats i det så kallade ”speaker-båset”, som i första hand användes för att spela in olika språkversioner av de ”Voice-Overs” som man försåg de olika företagspresentationerna med.

Låten ”Bland bergen i Glencoe” spelades upp och Gunnar ombads vissla ett var verser till det gitarrkomp som herr Afzelius hade spelat. Sagt och gjort. Gunnar visslade glatt, och om inte dokumentation är helt fel, var den andra tagningen tillräckligt bra för att användas. Resten är, som brukar säga, historia. Något gage var det aldrig tal om, och dokumentationen – som vi nämnde förut – är i det närmaste obefintlig. Ingenstans ges någon credit för den påpasslige visslaren. Om det inte vore för det här inlägget hade säkert allt fallit i total glömska. Här är låten:

Ni måste välja att trycka på ”Lyssna på hela låten på Spotify” för att kunna avnjuta den ”formidabla” visslingen, annars får man endast höra en halv minut av Björns sång. Men om det här var en tagning som var helt godkänd, undrar man förstås hur Björns ursprungliga vissling lät. Det finns andra tagningar – med bild – där låten framförs, men ingenstans, förutom på den här plattan, hör man någon som visslar. Man kunde förstås inte med att köra play-back, enbart på den här snutten.

Det här var länge det enda alster på Spotify där Gunnar E Olsson var representerad, och definitivt den enda platta, som han medverkat på, men nu finns även ett gitarrinslag dokumenterat på Spotify. Det är gruppen Stugan, som på låten ”Ingen kan i alla fall höra vad jag tänker” använt några av Gunnars gitarrslingor. Tack för det grabbar!

För den som är nyfiken på fler alster där Gunnar E bidrar med vissling finns det här radioinslaget där han visslar i en hyllningslåt till den då nyligen bortgångne Muddy Waters. Ni kan höra det här (eller bläddra nedåt bland inläggen på den här sidan):

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Gammal skåpmat, del 2

Efter att ha hört Fleetwood Macs egen live-version av Albatross (från en BBC-inspelning) har jag ändå fattat mod till mig och kan publicera den version av låten som vi i gruppen the Nazz spelade. På den inspelning jag hört med Fleetwood Mac medverkar tre gitarrister. När vi spelade Albatross fick vi nöja oss med en enda gitarrist. Vi körde alltså låten på trio, mot originalets fem man. Betänkt detta. Inspelningen är gjord på en enkel rullbandspelare vid en spelning i Hedemora (Tack, George Nordin!), och året var med en viss sannolikhet 1969. Sättningen var nog med lika stor sannolikhet inte den som är på bilden. Troligtvis är det Herbert Bodinger som spelar bas och Tommy Löwbäck som hanterar trummorna. Gitarristen är dock med hundraprocentig säkerhet, yours truly. Gitarren var en ES-345 från mitten av 60-talet, som jag har saknat i 50 år vid det här laget. Ack, ja…